New Haven and London: Yale Centre for British Art [with] Sir John Soane's Museum in association with Yale University Press, 2009. First edition. 4to. xii, 283, (1) pp. Publisher's black cloth, gilt lettered to the spine, dust jacket. Profusely illustrated, often in colour. An excellent copy. Mary Delany (1700-88), a...... More
Wommelgem: Blonde Artprinting International, 1997. First edition. 4to. 320 pp. Publisher's blue cloth, blind lettered to the spine and upper board, dust jacket. Illustrated throughout, predominantly in colour. Just very slight sunning to the jacket spine, very good. More
Saint-Idesbald, Koksijde: Paul Delvaux Foundation, 2004. First edition. 4to. 272 pp. Publisher's maroon cloth, blind lettered to the spine and upper board, dust jacket. Numerous illustrations, some in colour. An excellent copy. More
[N.p.]: Éditions d la Difference, 1982. First edition. Two volumes. Small 4to. 105, (7); (112) pp. Publisher's illustrated card covers. Illustrations, many in colour. Very good. The first volume comprises text, the second illustrations. More
[N.p.]: Ars Mundi, 1991. First edition. 4to. 128 pp. Publisher's white cloth, gilt lettered to the spine and upper board, dust jacket, prior owner's inscription inked out at the top of the title page. Illustrated throughout, mostly in colour. Small indentation to the foot of the upper board, very good..... More
[N.p.]: Denoël, 1967. First trade edition. 4to. 112, (8) pp. Publisher's dark pink cloth, blind lettered to the spine, dust jacket. Illustrations throughout, a handful in colour. Some very light wear to the spine ends of the jacket, else very good. More
Firenze: Pantheon, Casa Editrice & Paris: The Pegasus Press, (1930). First edition, 4to, (xvi), 152, (6) pp. 96 black and white plates. Original blue half morocco, t.e.g., spine and top edges sunned with rubbing to extremities. More
Paris: Chez Jean Baptiste Coignard, 1682. First edition, folio, (xiv), 323, (1) pp. Engraved title page and 137 plates, 21 of which are double page, later bookplate. Early 20th century half morocco, marbled sides, recent repair to the foot of the joints. A handsome copy of the first accurately measured..... More
![1984 MCT 2014]. Fabian DIETRICH](/pictures/thumb/40971.JPG?v=1653395886)
Berlin: MCT Agentur, 2015. First edition. 4to. (104) pp. Publisher's white cloth backed boards, photographically illustrated to the upper cover, black and yellow lettering to the spine, slipcase with a laminated line illustration to the upper cover. Photographically illustrated throughout, occasionally in colour. Very good. A retrospective of this German..... More
[n.p.], 1936. 4to, 42 leaves of typescript, printed on rectos only, followed by 10 photographic plates. Some foxing to first and last few text leaves. Original cloth backed marbled boards, a little worn. A member of the Oriental Ceramic Society, Dingwall donated a number of pieces to the V. &..... More
London: Tate Publishing, 2008. First paperback edition. 4to. 160 pp. Publisher's card covers with flaps. Colour illustrations. Very good. More
Sydney: Craftsman House, (1992). First edition. 4to. 256 pp. Original printed card covers, with an original line drawing by the artist to the front endpapers inscribed to Lord McAlpine and with a note on the artist's gallery headed paper expressing thanks to the same recipient "for a mention". Illustrated in..... More
New York: Harper & Brothers, 1890. 4to, xxii, 191, (1) pp. Second title and 54 plates, inner margins of the first three leaves with some restoration. Later green quarter morocco, a.e.g., spine slightly sunned otherwise an attractive copy. More
![Collection of Drawings]. W. F. DOWSETT](/pictures/thumb/19500.jpg?v=1446579241)
[c.1924]. A collection of twenty four hand drawn illustrations plus one only partially completed, mostly monochrome pen and ink, two in pencil and one in pencil and water-colour. The illustrations are of varying sizes between 11 x 8.5 cm and 27 x 21 cm, each drawn on paper backed with..... More
(Woodbridge): Antique Collectors' Club, 2005. First edition, 4to, 320 pp. Numerous illustratons. Inscribed from the author on the half title. Cloth, d.w., a fine copy. More
Geneva: Skira, 1983. 4to. 172, (2) pp. Publisher's sand cloth, white lettered to the spine and upper board, dust jacket, neat pencilled ownership inscription to the front free endpaper. Illustrated throughout, much in colour. Very good. More
(London): Allen Lane, The Penguin Press, (1971). First edition. Small 4to. (150) pp. Publisher's oatmeal cloth, black lettered to the spine, dust jacket, not price clipped. Black and white photographic illustrations throughout. Slight wear to the extremities of the jacket, else very good. More
London: Barbican Art Gallery in association with Jonathan Cape, (1992). First edition, 4to, 167, (1) pp. Coloured photographic illustrations. Pictorial wrappers, some minor soiling, near fine. More
(London): World of Islam Festival Publishing Company, 1976. First edition, 4to, xi, (i), 154 pp. Black and white illustrations. Cloth, d.w. lightly browned. More
London: Thames and Hudson, 1992. First edition. 4to. 256 pp. Publisher's marbled boards, black and red lettered to the spine, dust jacket. Numerous illustrations. Very good. More
London and New York: Merrell, 2004. First edition, 4to, 240 pp. Numerous photographic illustrations. Publisher's boards, top and bottom edges slightly sunned, d.w. with some minor marks. More
London: Chris Beetles, (1988). Square 8vo, 107, (1) pp. Numerous illustrations in both colour and black and white. Pictorial wrappers, some mild soiling, one corner slightly creased. More
London: Faber & Faber, (1952). First edition, large 8vo, (48) pp. Black and white illustrations, lower corner of the final two leaves creased, contemporary inscription to fly leaf. Cloth, d.w. torn with loss. More
Amsterdam: Ruud van Empel; Nijmegen: Museum het Valkhof, 2006. First edition. 4to. 151, (1) pp. Publisher's dark gold boards, embossed lettering to the spine and upper cover with a small colour illustration also to the latter. Photographic illustrations throughout, predominantly in colour. An excellent copy. More
