Guildford: New Cathedral Fund, Spring, 1949. 8vo. 16 pp. Interleaved throughout and with ephemera, photographs and letters regarding the building and decoration of the cathedral inserted. Contemporary green buckram with a gilt lettered maroon label to the upper cover. Very good. A unique archive relating to Guildford Cathedral compiled by..... More
London: Sheed and Ward, 1930. First edition thus. 8vo. xii, 232 pp. Publisher's black cloth, gilt lettered to the spine, Eric Gill's copy, inscribed by him in his distinctive hand on the front free endpaper "E.G. Pigotts. Mch, 1930 from G.K.'s Weekly (for review)". Occasional light edge wear and a...... More
Wellingborough: Christopher Skelton, 1983. First edition. One of 1,350 copies. 4to. xxiv, 545, (3) pp. Original two-tone cloth, with one of Gill's illustrations blindstamped to the upper cover, slipcase. With over 1,000 examples of Gill's work - several folding. An attractive copy. Compiled by Gill's nephew, this brings together a...... More
London: New Handworkers' Gallery, [1929]. Limited edition, no. 38 of 60 signed copies, 8vo, (iv), 43-56, (2) pp, including wrappers. Title device plus 2 wood engravings by Beedham after designs by Gill. Later card covers with a hand written label to the upper cover, owner's small label to the inside..... More
London: New Handworkers' Gallery, [1929]. 8vo, (iv), 43-56, (2) pp, including wrappers. Title device plus 2 wood engravings by Beedham after designs by Gill. Sewn as issued, a couple of spots otherwise a fine copy. Originally delivered as a lecture entitled "Art in Relation to Life", and distinct from a...... More
London: Cassell & Co., 1929. First edition, 8vo, x, 324, (2) pp. Wood engraving to title page, brief inscription to fly leaf. Original blue buckram, d.w., spine and edges browned, some light soiling, a very good copy. Evan Gill 18. The first book to use Gill's perpetua type... More
London: Jonathan Cape, 1941. Fifth impression. 8vo. 283, (1) pp. Contemporary brown half morocco, with a leather strip to the fore edge of both boards, over patterned paper, spine with raised bands, gilt lettered direct to to one panel, top edge pale green, gift inscription to one of the front..... More
London: Jonathan Cape, [N.d., but 1940]. Proof copy. Two volumes. 8vo. 160; 161-283, (5) pp. Original plain blue wrappers with printed titles, early manuscript to both front covers giving the page numbering of the respective volumes, loosely inserted is a stamped and postmarked postcard from Eric Gill to a Professor..... More
London: Jonathan Cape, 1931. First edition, 8vo, (viii), 197, (3) pp. 10 wood engraved illustrations. Buckram, spine and edges slightly faded, d.w. browned with loss to the spine ends. More
London: The Herbert Press, 1990, First trade edition. 4to. 478 pp. Publisher's green cloth, gilt lettered to the spine and blindstamped to the upper board, dust jacket, not price clipped. 997 illustrations. The red lettering on the jacket spine faded, else very good. More
Hughenden, Buckinghamshire: Printed by René Hague & Eric Gill... London: Published by Messrs. Sheed & Ward, 1931. Limited edition, one of 500 copies signed by both Gill and Hague on the limitation page. Small 8vo. (4), 120, (2) pp. Publisher's red buckram, gilt lettered to spine, without the original typographic..... More
Published by Nobody, (2005). First edition, one of 1,000 copies, oblong 4to, 62, (2) pp. Full page coloured photographic illustrations. Cloth, d.w. with a few small marks, near fine. More
New Haven and London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2009. First edition. 4to. xx, 516 pp. Publisher's red cloth, gilt lettered to the spine, dust jacket. Illustrated throughout, predominantly in colour. An excellent copy. More
(London: Tate Gallery Publications), [1993]. First edition. 4to. 119, (1) pp. Publisher's plain white card wrappers, dust jacket. Colour illustrations throughout. Some mild rubbing to the extremities of the jacket, very good. Produced to accompany an exhibition of the artist's work at the Malmö Konsthall, Tate Gallery Liverpool and the..... More
New York: Abbeville Press Publishers, 1994. First edition. 4to. 216 pp. Publisher's blue cloth, white lettered to the spine, dust jacket. Illustrated throughout, occasionally in colour. Small closed nick to the head of upper panel of the jacket, a very good copy. More
London: Quartet Books, 1988. First edition. Large 8vo. xii, 274, (2) pp. Publisher's blue cloth, silver lettered to the spine, dust jacket. Black and white photographic illustrations in the text throughout. Slight fading to the jacket spine, else very good. More
(London: The Gay Men's Press, 1989). First edition, 4to, 77, (3) pp. Illustrations in both colour and black and white. Cloth, d.w., price clipped, an excellent copy. More
(London: Phaidon Press, 2017). First edition, 4to, 502, (2) pp. Numerous coloured photographic illustrations. Original pictorial gold cloth, a couple of minor bumps otherwise fine. More
London: Merrell, 2007. First edition. 4to. 209, (3) pp. Publisher's bright orange cloth, red lettered to the spine, colour illustration to the upper board, signed by Brian Griffin on the half title. Photographically illustrated throughout in colour and black and white. An excellent copy. A photographic record of the people..... More
Stockport: Dewi Lewis Publishing, [c.2012]. Limited edition, no. 23 of 25 copies, signed and numbered by Griffin on the upper board, supplied with an original 10 x 8 silver print, dated (1985) and titled "Sliced Bread" by the photographer on the verso. Large 8vo. Publisher's yellow cloth backed plain card..... More
London: Black Pudding Publishing, 1988. First edition. Square 4to. 89, (7) pp. Publisher's black cloth, white lettered to the spine, gold ring to the upper board, dust jacket, inscribed by Griffin on recto of the first leaf "To Alison best wishes...", complete with vinyl record in original sleeve and inner..... More
Walken: The The Red Gull Press, 2006. First edition. 4to. x, 190 pp. Publisher's printed white card covers. Numerous black and white illustrations. Occasional light soiling to the covers, very good. More
New York: Rizzoli, (1993). First edition. 4to. 336 pp. Publisher's beige cloth, white lettered to the spine, dust jacket, inscribed by both Charles Gwathmey and Robert Siegel to the fellow architect Michael Wilford "with great admiration and respect...". Profusely illustrated. Fading to the jacket spine, else very good. More
London: Collins, 1982. First edition. 4to. 118, (2) pp. Publisher's black cloth, white lettered to the spine, dust jacket. Colour photographic illustrations. Slight wear to the head of the jacket spine with a small tear at the corner of the lower panel, else very good. More
